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Art Market Report - May 14

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A weekly report on the NFT Art Market, covering 1/1s, generative art, editions and other important news.
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Art Market Report - May 14

A weekly report on the NFT Art Market, covering 1/1s, editions and other important news.

an
May 14, 2023
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Art Market Report - May 14

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The Broken Keys by Alpha Centauri Kid

The biggest event of the week, if not of the year by far, was undoubtedly the launch and the auction of The Broken Keys by Alpha Centauri Kid, a collection of 48 1/1s with one underlying theme - Piano.

god of light, collected by Curated for 16.9 ETH

The 48 auctions all ended within the same 1-2 hours, were described by many collectors as intense, anxiety-inducing, highly competitive, reminiscent of the bull market’s passion, excitement and madness. The 48 pianos sold for 731.2 ETH (~$1.36M) in total, to some of the most notable art collectors in the space such as Curated, imo, Antxx, OSF, budfox, gGFunk, OG, @wsavas & @ZanzibarVenturz & @redbeardnft, 6529 Fund SZN 4, DrLeeNFT, 2070, Kutoa Capital, BUYINGYOURSTOPS, Tyler DurdΞth, BBA, michaely, and more. The “Piano Collective” was organically born out of this experience and will since exist to “serve the Muse”.

A secondary sale happened immediately the day after. nydoorman created pianDAO which in 24 hours raised the funds (21.5 ETH) to purchase The Mad Pianist (sold for 12 ETH the previous day). On the same day, 6942 AD, a 1/1 created by ACK back in February 2022 was collected by Cozomo de’ Medici through a private trade with LevelOneLevelTwo for an undisclosed price. In Medici Minutes - Issue #47, Cozomo says they “see this work as a prequel to The Broken Keys collection.”

The intensity of the bidding wars and the level of participation and engagement from the whole art community formed a memorable experience, which added another layer of performance art in line with what ACK has done and been known for throughout the years.

Serendipity, collected by batz for 26.9 ETH

According to an interview with ACK (Alpha Centauri Kid, Part 1 - The Broken Keys by The Monty Report), the artist started working on the project since August 2021, and sees it as his “debut into the fine art world.” The one underlying theme of this collection, Piano, has been a known recurring theme for the artist as his “first gateway to the Muse”.

As an artist with a broad range of aesthetics and styles, ACK nevertheless stays madly obsessed and cohesive to the underlying story with his Muse, pianos, flowers, skulls, love, etc. through the pieces themselves, the titles, or the descriptions. Sharing the artistic elements and language, all his works interconnect and weave a large yet intricate universe, creating a unifying and enthralling experience for the viewers.

The Broken Keys will likely mark a significant moment in the NFT / art history.

I dreamt of you again last night, collected by GFunk for 27.6 ETH

Also, a goated “tribute to the great @lphaCentauriKid” by terrell jones.

Moribund Melody (2023) by terrell jones

1/1s

  • Curated acquired another XCOPY 1/1 this week, Loading New Conflict… Redux 6, through a private sale.

  • Midwest by Grant Riven Yun was collected by Bob Loukas for $107,100 (~59.5 ETH) through Christie's Post-War & Contemporary Art Day Sale. The piece was formerly collected by Artifaction over a year ago for 16.9 ETH on SuperRare, in April 2022.

  • ripcache had another 2 big sales this week. branch 6 from the collection closed circuit was resold for 16 ETH (previously collected for 4.35 ETH in December 2022). seven from the collection network mythology was resold for 33 ETH (previously collected for 7 ETH in November 2022). Both collections are on-chain.

seven by ripcache
  • Teardrop by Jack Kaido was collected by Azimandias for 11 ETH on SuperRare.

Teardrop by Jack Kaido
  • all time high in the stock market by bongdoe was collected by GenXDegen for 8.14 ETH on SuperRare.

all time high in the stock market by bongdoe

Some concluding thoughts… Is the market dead or alive?!

Outside the huge sales from a top few artists, the larger NFT Art market remains depressingly slow. In contrast to the $1.36M sold by a single collection in one day, SuperRare had ~$710k volume and Foundation ~$680K in the past 2 weeks combined.

We shouldn’t judge whether the market is dead or alive, in my opinion, whether according to the huge sales of the top few artists, or the slow sales for most of the artists. It rather shows a picture of a top-heavy market during a global recession. Similar to what’s happening in the traditional art market, the top-end of the NFT Art market is still alive and well. As is common in times of economic instability, wealthy buyers tend to pivot to the most established artists and works they perceive to be lower risk. In the meantime, lower segments of the market see dramatic decline. It’s perhaps also because unlike whales at the top end who are more impervious to general economic conditions, small art collectors had tighter budgets and were generally more cost-conscious in the current bear market.

Portraits of the Artist: Reflections of the Self

Self-portraits have been a prominent and enduring subject in the history of art. As an artistic genre, self-portraiture offers a unique opportunity for artists to examine and represent themselves, their identity, and their place in the world. Through the self-portraits featured in the exhibition Portraits of the Artist: Reflections of the Self curated by @anloremi / me, artists explore their inner selves, reveal their emotions, and convey their personal and social contexts.

Pin Cushion by Iness Rychlik

Offering an unflinching and honest portrayal of the self, a vulnerable and intimate view that allows us to connect with the artist on a deeper level, self-portraiture remains a potent artistic form that challenges us to reflect on the societal norms, expectations, and ideals of the Self.

Thank you for reading An Art NFT. This post is public so feel free to share it.

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Art Market Report - May 14

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Art Market Report - May 14

anloremi.substack.com
Hardart
Writes Hardart’s Substack
May 15Liked by an

Great read. I hadn’t considered your point about the high end of the art market tailoring to HNW collectors who are largely immune to poor macro factors. It would make sense for them to stick with tried and true artists, however to minimize risk.

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